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Over the past two Sundays, our readings have directed us towards the conclusion that God wants the whole of us – for us to give ourselves utterly into God’s hands to do with us as God wills. We first got this from Jesus’ teachings in Matthew 10 (Hard Words) and second from Abraham’s willingness to sacrifice his son Isaac (Abraham’s Example). Typically, our inclination is to hold back and not surrender – relinquishing ourselves to God does not come naturally.

Today’s readings continue this theme but from a somewhat different perspective. They all point towards the roles of actors in a divine drama or play. We are the actors, and God is the Director. The play works out best when each actor does their part according to the directions of the Director. Since our Director is both competent and good, the drama of our lives can also be successful and good. But only if we as actors follow our Director’s directions.

Genesis 24

Genesis 24 tells a story with two main actors:

• Abraham is nearing death and wants his son Isaac to get married, but not to someone from the neighbouring communities, but rather from his home country.
• His senior servant is called in to act on Abraham’s behalf – the servant is not named, but is the central actor in this chapter. The servant has charge over all of Abraham’s things. Abraham commissions him to go to his homeland and get a wife for his son, giving detailed instructions on what to do and not to do.
• In vv12-14, the servant prays to the God of his master Abraham to make him successful and to show kindness to Abraham – remember that the Director is both competent and kind. In his prayer, the servant sets out a narrative of how he hopes things will go – that he speaks to a young woman, asking her for a drink, she offers him a drink and also offers water for his camels.
• Rebekah then comes out, and the narrative plays out just as the servant had prayed (vv15-22).
• The servant then asks if he can spend the night at her father’s house and it all works out. The servant gives thanks to God for “his kindness and faithfulness” to his master (v27).
• Rebekah runs home and tells her family about the servant, and her brother Laban comes out to welcome him into their home. They take care of both the servant and his camels (vv28-33).
• The servant then recounts to Laban and his family the whole story that we have already been told (vv34-49).
• This is followed by various details of the negotiations that rapidly culminate in Rebekah agreeing to go immediately with the servant to get married to Isaac (vv50-61). They arrive back at Abraham’s home, Rebekah and Isaac meet and get married (vv62-67), in so doing continuing the lineage from Abraham to Jesus (as provided in Matthew 1).

In this narrative, the servant is an actor – an agent who behaves, speaks, makes decisions, impacts the world. He trusts in Abraham and in Abraham’s God, thereby carrying out the will of God. He relinquishes himself to God.

Rebekah is similarly an actor – she engages with the servant, shows hospitality to him and his animals, argues against her brothers about leaving immediately rather than later, and agrees to marry Isaac. She exercises power and agency in her life, in accordance with the will of God. She relinquishes herself to God.

In short, we have actors doing the will of God the Director.

Psalm 45

The Psalms provided in the Lectionary typically provide a commentary on the First Testament reading and today is no exception. Psalm 45 presents us with three actors and a director.

• v1 starts with “My heart … as I recite … my tongue.” Here is the Psalmist, writing in first person and also congratulating themselves on their skill as a Psalmist. The Psalmist is an actor – present and active in the creation of this Psalm.
• vvv2-9 are addressed to ‘you’ – to the King. In the context of Genesis 24, we should think of the King as representing Isaac, though Isaac was not a King. The King/Isaac is also an Actor, because of how the Psalmist describes him, e.g., as defending truth, humility and justice.
• vv10-12 are addressed to ‘daughter‘, the bride. She represents Rebekah and the Psalmist speaks directly to her (not just about her) making her an actor.
• vv13-15 are a commentary, by the Psalmist, about the wedding and how wonderful it is.
• v16 is directed again at the King – your sons, your fathers, you will make – confirming the King as an actor.
• v17, finally, returns to the “I” (which we last heard in verse 1). In verse 1, the I referred to the Psalmist. It is possible that the I in v17 is also the Psalmist, but I think the claims that are made in v17 exceed the capacity and power of the Psalmist, and that here ‘I’ refers to the Director – to God. The Psalmist’s life is too short, but God can work “for ever and ever”. It is God who will perpetuate the memory of the king through all generations and across all nations.

Thus, God is revealed in the last verse of the Psalm to be the Director. Although the Psalmist has considerable power in writing the Psalm, ultimately, even the Psalmist is an actor in a larger play directed by God.

Romans 7:15-25

This passage from Romans is full of “I”. It seems obvious that Paul is here referring to himself, writing in first person, but it is possible that he is referring to ‘a person’ using ‘I’ as a shorthand, and there is debate among commentators on whether the ‘I’ is a Christian or an unconverted person. I don’t want to get into all that today. The key point for today is that there is a clear actor here, referred to as “I“, whoever that person may be.

What we see happening in this actor’s life is a grappling between a desire to be good and a tendency to do evil. We are given an insight into the heart of this person, grappling with their own brokenness. This reaches a climax in v24, “What a wretched man I am! Who will rescue me from this body that is subject to death?”

And then the Director steps in: “Thanks be to God, who delivers me through Jesus Christ our Lord!” Or arguably, two actors, but so in sync with each other, that they are truly one being or essence.

What we can take from Romans 7 is that in our grappling with ourselves, as we hope to become transformed into the image of Christ, God is directing. And God is competent and good – God will bring it to fruition in God’s good time. We must, in the meantime, play our part as actors who make repeated choices to act in accordance with God’s desire for and image of a redeemed humanity.

Matthew 11:16-30

Lastly, we come to our Gospel reading. In the opening verses of this passage, Jesus seems to be saying that the people of this world think that they are directors (vv16-17):

“To what can I compare this generation? They are like children sitting in the marketplaces and calling out to others: ‘We played the pipe for you, and you did not dance; we sang a dirge, and you did not mourn’.”

They think they are puppeteers, who can direct others to do their bidding. But unlike God the Director, they are neither competent nor good. Instead, they are capricious and mean-spirited, as Jesus explains in vv18-19:

“For John came neither eating nor drinking, and they say, ‘He has a demon.’ The Son of Man came eating and drinking, and they say, ‘Here is a glutton and a drunkard, a friend of tax collectors and sinners.’ But wisdom is proved right by her deeds.”

In this last sentence of v19, Jesus reveals who the director is: Wisdom! Wisdom is the First Testament forerunner of Holy Spirit. The Spirit of God is the Director: wise, good and competent. It is by her deeds – her actions – that she is proved right.

In the rest of this passage (vv25-30) Jesus emphasises God as a good and kind director, who has our best interests at heart.

In summary, God does want all us, completely and utterly. It is when we follow his directions (i.e. when we are yoked to him) that we become true and full actors, free to play our part in his play.

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